I mentioned in my last post that museums were like icebergs, showing only a small portion of their overall material. My friend Kim Leaman, archaeological illustrator extraordinaire, took that statement to heart. Even though she now works mostly at Princeton, she says it's hard to see our Penn building as anything but an iceberg. Of course, being very familiar with the museum since she worked here for many years, she adds that it has a labyrinthian quality as well. So on a lunchtime foray she made this mashup representation of just what our museum is like:

I immediately identified with the image and asked to share it. It's weird and cool all at once, which is largely how I see working in here on most days. It's always an adventure to head down into the belly of the iceberg.


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Challenges
Shori is a mystery. Found alone in the woods, she appears to be a little black girl with traumatic amnesia and near-fatal wounds. But Shori is a fifty-three-year-old vampire with a ravenous hunger for blood, the lost child of an ancient species of near-immortals who live in dark symbiosis with humanity. Genetically modified to be able to walk in daylight, Shori now becomes the target of a vast plot to destroy her and her kind. And in the final apocalyptic battle, her survival will depend on whether all humans are bigots-or all bigots are human.
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